In the realm of contemporary music, free jazz and electronic sound art have run in similar directions. The idea that an architect of sound can evoke a meaning that is rooted in traditional musical phrasing, yet free from the traditional systematic approach to organizing pitch and rhythm is the basis behind both art forms. Despite the similarities in mentality and phrase structure, the contrasting sound aesthetics valued in each musical style provide for ideas that communicate without producing a sound leaning more towards one art form. On Rêves Sonores à Alwan, the newest release from Montreal’s own Howl Arts Collective, Saxophone player Ras Moshe, Pianist Stefan Christoff, and producer Nick Schofield have joined forces resulting in a piece of music that explores the expressive possibilities of sound in both an electronic based community as well as a more jazz rooted conception. Continue reading
