Tag Archives: Ollie North


The Past on NEW SHIT


This week on New Shit we’ll be previewing the amazing and totally weather-appropriate new release from The Past (formerly Ollie North), Airless.  We’ll be doing a live phone interview with Jack Deming to talk about the tape around 4pm EST.


Pop Montreal 2013 Review: Empress Of, Ollie North, VLVBVMV

CKUT’s Jeremy Singer recaps several evenings of hopping between venues at Pop Montreal. Read on for his account of some festival highlights:

Empress Of

One of the great parts about having a Pop Hopper wristband is that you can see a bunch of bands you’ve never heard of, and such was my experience with Empress Of at Sala Rossa on Wednesday night. Hailing from New York City, Lorely Rodriguez performs as Empress Of, accompanied by a synthesizer player and a live drummer. Rodriguez sings and uses a synth pad – to call forth a variety of samples that lay the foundation for the band’s music, and to self-harmonize with microphone effects.

Rodriguez’s choreography heightened the experience. Always shuffling energetically on her heels, Rodriguez slid on a spectrum between subdued and theatrical. During songs with a real electro-1980s feel, she fell comfortably into subdued disco-pointing; in songs with a thumping down-beat, she crossed the line between dancing and flash-posing. (The overall coolness that Empress Of exuded on stage is pretty well encapsulated on her website.)

As a drummer, I found that the band’s live drummer set them apart from similar synth-heavy, dance-pop acts: the playful samples and vocal melodies fluttered above a driving drum groove and powerful synth lines that sent vibrations through my chest. The band created a simultaneously cheerful step and ambient gloominess, playing in various time signatures and allowing the vocal and synthesizer melodies and harmonies bleed into one another. The set left me feeling serene, and warmed up for the next show. 

Jack Deming/Ollie North

My next stop was at Brasserie Beaubien, for the Kinnta Records showcase. I managed to catch the second half of the Haiduks, a grooving indie-pop group featuring Kinnta’s founder. Standing in on bass was Jack Deming of Ollie North, the band I had come to see. Deming writes and records his own material, and performs as Ollie North with bass and synthesizer players. Their opening song rolled along in 3/4, with indiscernable lyrics, passionately pronounced over the rolling guitar riff, flowing synth, and playful bass.


Like Empress Of, Deming also regularly evoked microphone effects to modulate his voice and self-harmonize. He often switched between an effected and unaffected microphone, adding a dramatic contrast from one vocal line to the next.

The drummer in me occasionally insisted that a live drummer would pick up the energy in a really good way. (I later learned that Deming had, for a time, played with a live drummer). But untethered by drums, his music was mesmerizing and melancholy; a soundtrack that would suit a dimly lit bubble bath as well as it would a quiet autumn stroll through the woods. Deming’s tunes rang in my head for the rest of the night, and lulled me to sleep after a cold bike ride home.


One of the downsides to having a wristband is that unless you’re insanely early, you won’t get into shows for the festival’s headliners. So after being turned away from Portugal. The Man on Thursday evening, I did what any god Pop Hopper would do – I jumped back and forth between Casa del Popolo and Sala Rossa. I got to Casa just in time to groove out to indie rockers Honey Wild and caught the beginning of the German synth-pop duo Sold Out, before hopping across the street to watch half of the Dodos’ set. I hopped back over to Casa in time for my favorite Montreal trio, VLVBVMV (pronounced Alabama).

I would compare VLVBVMV’s “twisted Southern” music most readily with The XX, but the comparison is limited. Max Williams’ guitar ramblings float beautifully alongside Kate Markle’s lofty, enchanting vocals. Stokely Diamantis anchors the group with stoic bass lines and creative electronic drums. I’ve seen VLVBVMV play around the city a handful of times in the past year, and their live show is always fresh and captivating.

Thursday night was no different. While pre-programmed drum parts pose the threat of limiting a band’s organic groove, Diamantis’ careful orchestration provided an open structure, on top of which the band could ebb and flow naturally. Williams’ unique style, delicate chords with tasteful pluckings and a dash of dissonance added emotionality to the openness, and Markle’s pensive and compelling vocals pushed the music forward. Markle introduced a synthesizer to the group for the first time, and sprinkled in light chord progressions in various songs, giving Williams the freedom to explore even more on guitar.

Overall, my pop hopping experience was a great one. The flexibility and excitement of moving between shows adds to the already strong youthful enthusiasm of the festival. Most of all, seeing such a random sampling of bands made me realize that Pop really loves bands with 3 or less people, melancholy vibes, and synthesizers.


New Shit Playlist 08.20.2012


NEW SHIT (music dept show) was large and in charge today, folks. Solo-hosted by moi, though I missed the Stolen Pony. So much local content y’all, have a listen to the show archive! – Noblesse Oblige

Show theme: Kzyiec > Klepana

    • Program (Silver Apples) by Hand Cream from Oh Rats EP
    • Swing by FLIST! from Original Words (Check out his show with Mozart’s Sister + UN + Hand Cream this Friday at La Tour Prisme!)
    • Black Cadillac by The Pink Noise from Gilded Flowers (Pleasance Records) Check out their show at Divan orange this Thursday, August 24th.
    • Blam’s Again by Drainolith from Fighting! (Editions Mego)
    • La Beija by Slim Twig from Sof’ Sike
    • Lindenfels by Ollie North from Lindenfels
    • New Calm Pt.2 by Ought from New Calm EP
    • Singing The Ending by Wymond Miles from Under The Pale Moon (Sacred Bones Records)
    • Old Black Sweats by Slug Guts from Playin’ In Time With the Dead Beat (Sacred Bones Records)
    • Children of the Moon feat. Tame Impala by The Flaming Lips and Heady Fwends 

  • Albatross by the Lee Ranaldo Band featuring D. Mascis from A Tribute To Fleetwood Mac
  • 212 by Azealia Banks from 1991
  • Single Status by Mozart’s Sister from the Dear Fear EP
  • Early Adopter by Cobra & Vulture from Vocare
  • Oblivion by Grimes from Visions
  • Lofticries by Purity Ring from Shrines
  • Donuts By The Water Before I Die by Cool World (Providence, RI)check them out at La Brique this Saturday Aug. 25th  
  • Married On a Sunday by Parlovr from Kook Soul
  • Exercise 2 (School) by CFCF from Exercises
  • Better Version of Now by Ira Lee from Growl
  • Cosmic Queries by Willis Earl Beal from Acousmatic Sorcery
  • City Limits by The Great Sabatini from Matterhorn
  • Take My Bones Away by Baroness from Yellow & Green
  • Not Through by The Puffy Areolas from 1982: Dishonorable Discharge