A few weeks back, I sent an email to Carla Sagan, a local band partially responsible for “Supermoon Lunar Eclipse,” the recent Egg Paper Label release that has been sitting at the top of CKUT’s weekly chart as of late. I had listened to the EP and loved what I heard, so I decided to follow up on a rumour about the members of Carla Sagan being students themselves. Lo and behold, this proved to be true. Last Sunday, I got the chance to interview the group across from their practice space in Mile-Ex. The four members of Carla Sagan and I chatted about the intersection of academia and musicianship, the success of “Supermoon,” and what the band has planned for the upcoming summer. Continue reading
On the last Friday before McGill’s reading week, just as students were preparing to turn off their brains for a minute, I managed to sit down with Rosie Long Decter. As a vocalist and synth player in the popular band Bodywash, as well as the new music librarian at CKUT, Rosie has set the bar high for what it means to be a student in the Montreal music scene. Based on her fantastic resume, I knew Rosie would be able to provide some unique insight on the student scene in the city as well as some advice for those looking to get started as musicians in Montreal.
Nora: Ok, so – you’re in Bodywash, which is a really great band putting out some really amazing stuff. You guys started as a McGill band, is that true?
N: Could you give me your origin story? How did you guys get together as a band?
R: So, two of our members met through rez and living together: one of our guitarists and our old bassists. And they knew Chris, who is our guitarist and singer, through mutual friends, and the three of them started jamming together. Chris actually met out drummer, Austin, at a SSMU Musician’s Collective meet-and-greet. So that was a group on campus that was very useful for us. Most of us were in Gardiner [a McGill Residence], and Gardiner used to have once-a-month coffee houses. I was always a solo musician – I used to do a lot of singer-songwriter stuff and the guys saw me performing and asked if I wanted to jam.
I think for us, the context of us all being in Gardiner was super important because Gardiner used to have a music room that students could use. So that’s where we practiced all of first year, the Gardiner music room.
N: That’s sweet.
R: I mean, it was kind of a shithole, but you know, it was our shithole. Continue reading
When the topic of McGill student musicians comes up, it’s rare that the name Alexia Avina isn’t mentioned. As both a prolific solo musician and part of the dreamy electro duo, Best Fern, she is pretty much the pinnacle of what a writer like me could hope to find in the student scene.
Earlier this week, Avina posted a track called ‘Cups’ on her Soundcloud page. For fans of her work, this song hits all the bases of what makes Avina’s music special. The whispery vocals so characteristic of her work are especially noteworthy, not only in the sweet, sad lyrics but also in the layered, dreamy back-up vocals that saturate the track. Rich guitar melodies drift in and out, softly fading into a warm hum at the end of the song.
In her Facebook post about the song, Avina expressed her nervousness about releasing the song and asked for kindness from listeners. ‘Cups’ is a soothing track to drift away to, and I hope that the calming vibes the song conjured for me are given back to Alexia Avina in return.
– Nora Duffy
The winter months in Montreal can be rough, especially in the era of climate change when the rapid fluctuations in temperature can seem almost worse than just a normal, unrelenting deep freeze. This year, I decided my course of action against the elements would be to take refuge in the amazingly diverse music scene that exists within the city. In particular, I wanted to focus on how students like me contribute to the music culture of Montreal. Who are they? What kind of stuff are they playing? Over the next few months, the School’s Out series is going to try to answer these questions and shed light on the talented students who are making waves in the city and beyond.
Released this past January, Space Race is the first LP from Montreal’s own The Sad Birthdays, a band made up of four guys who happen to be students. It’s a whole lot of good ol’ rock and roll, but also draws on influences so varied that it hard to pin down exactly what’s going on in a few adjectives. The low, droning vocals on some songs are definitely reminiscent of early ‘90s grunge, but the addition of melodic guitar riffs and steady four-on-the-floor drums sound more like something out of ‘70s classic rock. The band takes a stab at pinning their genre down on their Facebook page, describing themselves as “a grungy psychedelic baroque pop band,” which I’d say is a pretty good summary. What is clear is that these guys are coming up with stuff that is distinct and new but also irresistibly fun.
Some of the magic of Space Race comes from its unpredictability. At first listen, the classic catchy guitar riffs and steady driving rhythm section sets the listener up for a run-of-the-mill-four-guys-in-a-rock-band trope. But there’s more to it than that. In particular, the lyrics on songs like “RIO,” “Movies” and “Pantless” threw some curveballs into the mix that helped to reify the laid-back, cool vibe of the album. One line goes, “I’m pantless by the ocean/ I’m pantless by the pool/ My friends are all around me/ And they’re pantless, too”. Who can’t get behind a lyric that? Another surprising touch came from the song “Lie,” which showcases not only a really sweet vocal performance, but also a fantastic arrangement for trombone, flugelhorn, flute, and French horn.
The Sad Birthdays certainly hit the ground running with this one. Whether you love a good homage to classic rock without the same old tired tunes, appreciate some high quality sound production, or are just looking for a fun set of tracks by some local Montrealers, Space Race is a great album to hit all those bases.
Busty and the Bass has been a big topic of discussion around the McGill bubble and the entire city of Montreal over the past year and with the release of their new album, Glam, it appears the band can do no wrong. Notorious for their charismatic stage presence, precise horn lines, and ‘expect the unexpected’ attitude, Busty and the Bass have created an album indicative of their live energy without sacrificing musicality. Continue reading