Tag Archives: Local

Concert Review: Kaytranada @ L’Olympia

photo taken by Aaron Bentley

photo taken by Aaron Bentley

Final exams didn’t faze dedicated fans from attending a sold out show at L’Olympia from local electronic producer Kaytranada. Taking the stage at 11:20pm, the venue was packed to the brim with people eagerly anticipating the eccentric young artist to perform his latest mixes for everyone. Fellow local artists Planet Giza and Lou Phelps opened the show earlier on that night with their own sets to warm up the crowd. However, if you planned on catching just the main act then you would’ve had to bear waiting outside in line for over half an hour before stepping foot into the venue.

Once inside L’Olympia, security pushed their efforts in patting down every single person before letting anyone onto the dancefloor. The crowd was immense, nothing but a sea of bodies could be seen in every direction and by the time my friends and I made our way inside, Kaytranada had already took to the stage with performing his mixes.

We made our way up towards the front of the stage, the energy in the room was unparalleled to the show that Kaytranada performed back in May for the release of his debut LP 99.9%. By this time around people knew what to expect from the young producer, his debut album garnered widespread attention and has been making appearances on end of the year lists for the hottest albums of 2016.

He performed fan favorites from 99.9%. The tracks “Glowed Up” and “Lite Spots” had the audience going ballistic and vibing hard off of the hottest two singles on the album. During another point of the show “Cranes In The Sky” off of Solange’s latest record A Seat At The Table had people grooving hard to the funky remix that Kaytranada was able to provide on the track. The liveliness of the venue was constant, everyone in the building was able to lose themselves to Kaytranada’s crisp production that has become distinct to the artist’s production style.

After over an hour of material the show finally concluded around 12:35am, roars of excitement and cheer filled the venue of L’Olympia as Kaytranada thanked everyone for coming to the show. While it’s only been a couple of months since 99.9% dropped, the amount of playability that album holds is always refreshing when listening to his debut efforts. On a live stage all his songs translate exceptionally well to the dancefloor, which makes total sense. His music is meant to be danced to, meant to be played at parties, and most importantly is meant to showcase that Kaytranada is no one-trick pony when it comes to making music.

-review by Michael Eidelson

Album Review: Best Fern EP – Best Fern

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The first thought that springs to mind when listening to the latest EP by Best Fern is how elegant the whole project makes you feel. Montréal based duo Alexia Avina and Nick Schofield string together spacious ambient production to create an inviting atmosphere that only exists within the realm of their EP. There are only five tracks on the entire project which creates a short but delightfully pleasant listen and suits the time of year where summer is slowly dwindling away into fall.

Soft synths start off the EP with the track “A Way” and establish’s the tone for the remainder of the dreamy project. Alexia’s approach to singing over the light production feels otherworldly and complement the style of dream pop that the two are crafting together. “Lay It On Me” continues to carry the narrative of the first song and brings a far more relaxing element than the previous track. It’s comforting and sedates the listener for the rest of the atmospheric environment that Alexia and Nick dive into.

The longest track on the EP standing at five minutes long, “Do U Love U” is incredibly tender and has synths working in parallel with Alexia’s beautiful voice. There are echoes in the background that form a concrete idea that you’re thrown into a different world completely while listening to the new EP. “R U Well” has synths that are layered on top one another but doesn’t clutter the sound, the effect makes the song more spacious with flutes that float their way throughout the duration of the track.

“I Will Try” finishes off the EP with a booming bass that isn’t over the top by any means, but instead feels like a grand finish for the project. Best Fern pull off a stellar debut with their self-titled EP. It’ll be interesting to see what directions the duo head in with future projects and  the sort of direction that they decide to head in.

You can pick up their latest EP from their bandcamp and follow them on facebook and soundcloud. They’ll be opening for Angel Olsen on Friday September 23rd at the Rialto Theatre and will have another show on Thursday October 6th at La Plante.

– Review by Michael Eidelson 

Small Scale Music Wraps Up If You Got Ears

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Throughout November Small Scale Music has graciously hosted If You Got Ears, and they’ve delivered quite the experience. Small Scale Music is based right here in Montreal and focuses mostly on improvisational and experimental music. It was this kind of sound that Raphael Foisy, the host of this month’s show, brought to the table. Raphael plays bass in the bands Brick Quartet, Bord à Bord, Ninja Simone and in different improvised music settings. He combined elements from all these unique musical experiences in each of his shows, each of which which you can catch on our archives.

Tune in to Sam Shalabi and Alex Moskos in our studios this December for the next instalment of If You Got Ears (which is going to be bananas). Every Wednesday from 12-2, listen in~~