Tag Archives: Chelsea Wolfe

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Johnny Suck’s Concert Diary – May 2016

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I went to see some shows the past few weeks, here are my highly subjective thoughts & experiences from some of them:

Public Animal, Yardlets, Mountain Dust, Dead Ranch – Turbo Haus, May 14

This show didn’t seem that interesting until I heard this:  

It then became an absolute must. ‘The power of the riff compels me’ as they say. Dead Ranch was cool but Ian Blurton’s Public Animal stole the show. They were the perfect good time Saturday night rock’n’roll band.

Public Animal. Credit: Sandi M

Public Animal. Photo: Sandi M

It’s too bad the four-band bill only started at 10:30. The place was dead & deserted for Yardlets, who ended at 2:30am. Shows should pretty much always end with enough time for people to catch the last metro.

Chelsea Wolfe – Theatre Fairmont, May 16

Chelsea Wolfe. Photo: Sandi M

Chelsea Wolfe. Photo: Sandi M

Abyss is a pretty great album;  that Chelsea Wolfe came through Montreal a 2nd time since it’s release is lucky for anyone who hadn’t heard it in time for her show back in September (ie: me).

As hoped & expected, most of Abyss was played. And the crowd was super hot for it, pretty-much every song was cheered as soon as it started. The crowd’s energy was surprising given the chill gloominess of the music, but it served as a testament to how powerful the music actually is. The room was filled with a sense of personal connection and intimacy to what was being played, and so it came with the overwhelming appreciation to match.

For more in-depth coverage, check out Donovan’s reviews of the show and of Abyss. Continue reading

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Concert Review: Chelsea Wolfe @ Fairmont

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The genre of Chelsea Wolfe is a bit hard to put down.  In 2015 she released Abyss, an album that epitomized her turn from a darkly tinged folk artist into a full-fledged member of the gothic rock community.  Although the music was dark and powerful, her slow tempos and vocal delivery still hearkened back to the days of her more folk-related stylings.  The title of this album serves as the best possible description of her music, Wolfe’s beautifully reverberated voice is the only source of light in her black sonic landscape forged by punching distortion and primal drumming.  On May 16th at the Fairmount Theatre in Montreal, Wolfe showcased the ability of her music to translate to the live setting.  The night was surreal.  Wolfe effortlessly combined her creepy, Halloween themed vocal whisperings with the smashing capabilities of her band, switching between unsettling intimacy and apocalyptic destruction constantly. Continue reading

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Album Review: Chelsea Wolfe – Abyss

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Chelsea Wolfe is terrifying.  Her horrifying, intense sound aesthetic is comparable to that haunting sense of imminent danger felt during every great horror film.  Her beautiful, dark, twisted compositions are executed in a way that digs deep into your soul, pulls your heart out and throws you down into her carefully imagined Abyss all without sacrificing the mature sound indicative of her mastery of modern music.  Wolfe’s artistry has always been intense, but with the release of Abyss, she has let her dark side go completely resulting in an incredible piece of music that has completely dominated the CKUT loud charts for the past two months. Continue reading