Tag Archives: artist profile

Artist Profile: Quivers

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It took them about 23 hours to reach North America from Melbourne, but for a week now Quivers has been taking Canada by storm with classic Aussie optimism: “we’re just happy to be on the other side of the world.” I was lucky enough to catch them on one of their off days in Toronto, where I chatted with Sam Nicholson, Mike Panton, and Angela Schilling from their hotel room. Quivers initially began when frontman Sam revisited his love for writing music after taking a hiatus in China. His older brother Tom passed away in a free-diving accident some years ago, and beginning to record again, for him, was a kind of catharsis: a way to celebrate life by just “making music with your mates.” Though originally from Hobart, Tasmania, Sam and Mike packed up and moved to Melbourne to explore the blooming music scene there, adding Ange, Jo, and Rohan on the way.

Despite the move, Quivers’ sound is still very much rooted in Tasmanian culture. Their album, We’ll Go Riding On The Hearses, was recorded on Mount Wellington in Hobart; the group rented out the Fern Tree Community Center and, in the middle of a hailstorm, hunkered down for two days and recorded. The themes of the album reference a lot of Tasmanian life and, according to Ange, is infused with a certain “Australiana sound.” We’ll Go Riding on the Hearses was made for road trips down wide-open highways, much like the Midlands Highway that runs through Australia; it was there that Sam saw a pale green hearse, “almost exactly like the one from [HBO’s] Six Feet Under.” While he didn’t end up buying it, the vehicle became a central theme and inspiration for the cheeky album title, which is a pun on Daryl Braithwaite’s 1991 hit “The Horses.”

Blending the macabre and the sanguine is an integral part of Sam’s approach to his music; the album certainly deals with grief and loss, but in an indirect way that views these indescribably difficult topics through the lens of reflection and nostalgia. Sam’s ultimate goal is for his songs to be relatable, even while they deal with incredibly personal aspects of his life. For him, it’s about adding a dash of fiction to the fact: “songwriters write a better version of what actually happened… [there are] certain things I’m afraid to write about in a too-honest way.” This sparked an interesting discussion about the differences of songwriting; all other members of Quivers are also involved in other projects, so opinions flowed freely. Ange admitted that she tended to write “very specific songs, lyrically,” adding that “I don’t mind if [the songs] aren’t accessible because I try so hard to make it just for me.” In her opinion, artists have to learn to overcome the barrier of self-consciousness in order to really connect with the audience. The guys nodded enthusiastically in agreement.

In discussing vulnerability in songwriting and performance, it is clear that Quivers is more of a conglomerate of individual artists, who all unite together over a common love: music. While they technically play jangle-pop, the group adores genres that “would never come across in Quivers,” such as R&B and Motown (I heartily approved). After collectively listing what could be considered the entire anthology of 70’s soul and 80’s guitar rock as influences (“Paul Kelly is our poet”), Mike added that “we’ve all kinda done a few things before… you pick up things as you go from other bands; I’m influenced so much by the other people I’ve played with.” This more personal aspect comes through when Quivers plays live; Sam admitted that each song has about five alternate endings, a kind of “choose your own adventure” approach to performance. He added that the point of the band is not to be perfectionists, but rather to have a good time in the hopes that the audience will, too.

When I asked them what was in store, Sam divulged that they were working with Dave Mudie, drummer for Courtney Barnett, on a possible EP or album. For now though, the world will have to wait; Quivers plans to do an official release of We’ll Go Riding on the Hearses later this year on bandmate Jo’s record label, Hotel Motel Records. As for their first North American tour, the group had plenty of good things to say about Canada and were quite excited to end on the east coast. Their one question? “I guess… where are the best bagels in Montreal at 3am?”

Look for Quivers in the 514 at Le Cagibi tomorrow; it’ll be a wild ride.

by Juliana Van Amsterdam 

Artist Profile: Molly Drag

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I ventured up to Le Dépanneur Café in the Mile End a few weeks ago to chat with Molly Drag (née Michael Hansford) about his upcoming album, Whatever Reason. After settling down with our coffees, Hansford confided that he and his roommate, Aaron Powell (Fog Lake), actually live right around the corner from the café; it has been a long-term dream of his to eventually end up in this neighborhood, and he appeared very at home with the plants and locals populating the crowded joint.

Most of Whatever Reason was recorded in a basement studio in London, Ontario. Hansford moved to Montreal this summer with only a few close possessions, and conceded that at first, he felt quite isolated in his new home. The loneliness was compounded by the fact that he knew very few people, and would have to wake up in the early hours of the morning to get to his job at the time as a café cook. This solitude, though now only a memory, ended up inspiring one of the tracks on the new release; he has also begun to sprinkle Québecois into his latest songs to celebrate and acknowledge, in his words, “a culture that has been here for so long, and has fought to keep it.” 

Hansford has an exciting, frenetic energy about him at times, and it shows in his music. When he writes or records, it is done all at once; everything is done “on the record” without much forethought, and he will sit for hours in his apartment focused solely on his craft. On previous albums such as the sprawling Deeply Flawed release, Hansford acknowledges a lack of focus; every song is raw, intimate, and wandering.  Hansford praised the more focused energy of the Whatever Reason, describing the contrast between various tracks: “There’s a bit of anger on this record, but there’s also a lot of self-reflection.”

Whatever Reason is a very conceptual album, signaling “the end to a dark trilogy” of records that Molly Drag has produced so far. The contemplative attitude reflects an “addiction” to nostalgia, and the inevitable sense of separation that accompanies those feelings. He also described his inspiration for the album cover art: a painting he saw of a sick child surrounded by piles of things that they love, but that are just out of reach. Whatever Reason’s album cover depicts a young girl in a dark wood surrounded by rabbits, Hansford’s favorite animal.

For an important project such as this, Hansford said he was happy to have a solid, more permanent live lineup to support his vocals. Powell acts as his secondary guitarist, adding a professional aspect to their good personal relationship; in fact, all but one of the Molly Drag lineup also play in Fog Lake. The constancy and familiarity helps to make the live performances sound more like the recorded ones, a factor that Hansford holds in very high regard: “If people have been listening to your music and they go see you live expecting to hear what they love, and they don’t, you’re not doing your job properly. You’re there to entertain.” For Hansford, the most important issue at hand is the integrity of the project; he needs musicians who want the project to succeed as much as he does, instead of being there simply to play or just to support him.

After the official interview ended we lingered at Dépanneur a bit longer, chatting with ease about mutual friends and personal heroes – he regaled me with a story of his online conversations with local author Heather O’Neill – before Hansford looked sheepishly at his phone and said he had to duck out early; there apparently was no water in his apartment. We ushered ourselves out into the Mile End dusk and parted with handshakes and smiles before he hurried up Avenue du Parc, shoulders hunched against the wind and signature wool cap bobbing up and down: a true Montrealer out and about in his city.

Whatever Reason will be released April 21, 2017 and is available for pre-order now.

interview by Juliana Van Amsterdam