Daily Archives: June 20, 2017

17851-benjamin-booker

Album Review: Benjamin Booker – Witness

IMG_5213

Benjamin Booker is soulful garage-rock at its finest. His characteristic blues-meets-punk style, alongside his distinct husky voice, results in a unique, gritty sound that one might stumble upon in a New Orleans bar. On each track of Witness, Booker’s highly anticipated sophomore album, he croons on a number of subjects, from faithlessness to police brutality, resulting in a record that is emotional, raw, and highly intimate.

Production-wise, the album’s opener “Right on You” sets the tone for the record. Heavily panned right and left channels serve to isolate the instruments and Booker’s voice. This decision is consistent in every track on the album: there is no song on Witness where everything feels centred. The audience enters a unique kind of listening experience as the intricately balanced isolations allow for more instrumental clarity. One can hear the way each particular element adds to the song’s arrangement as a whole rather than focusing on how they all work together simultaneously in the track. Booker unabashedly introduces listeners to this novel sonic environment of Witness — he invites them to stay, yet remains nonchalantly uncaring if they don’t.

“Right on You” blends into “Motivation,” a track with a lo-fi vibe that begins with a tape-saturated acoustic guitar and a syncopated bass groove. In the chorus, slightly distorted violins swell in the left channel, offering an unconventional type of orchestration that brings an interesting contrast to the acoustic elements within the song. In “Believe,” the listener hears the soulful elements of Booker’s music: the background vocals are akin to a gospel choir, and they harmonize with Booker as he yearns to find a resolution in his search for faith: “I don’t care if right or wrong / I just want to believe in something / I cannot make it on my own.” The title track, “Witness,” is a commentary on police brutality and racial issues in America. Resonant lines such as “Thought we saw he had a gun / thought that it looked like he started a run” make this the album’s most poignant track by highlighting Booker’s strongest lyrics on the record.

Besides “Witness,” the most memorable songs on the record are the ones emphasizing Booker’s well-crafted guitar riffs. In “Truth is Heavy,” the guitar lick isolated on the right side and the bass riff isolated on the left create a unique melodic blend, exemplifying how the producer’s decision to include heavy pans augments the music’s emotive abilities.

Booker’s strength is his bluesy and garage-influenced guitar work, as it allows him to create groovy, head-bobbing rock tracks without being overly flashy. However, most tracks on the album offer only subtle dynamic changes; additionally, since the drum patterns tend to remain steady and simple, at times the songs on Witness seem to drag. Nonetheless, Booker delivers this static feel exceptionally well and this may have been his intention: he emphasizes movement and repetition so listeners can hone in on the pulse of the music in order to lose themselves within it.

– Review by Francesca Pastore

h de heutz

CKUT TOTAL ECLIPSE OF THE CHARTS::: June 20, 2017

h de heutz

Hello friends,
The past week has been kind of a blur… In addition to catching a bunch of excellentSuoni shows, I was also lucky enough to share a bill with the fantastic HSY and H. de Heutz (above) at Ottawa Explosion — in a church, no less! I ended up staying for a couple days to hang with pals and came back just in time to see Les Filles de Illighadad make their North American debut here in Montreal last night. It was probably the most stunning show I’ve seen all year; in addition to putting on an amazing performance, they also have a pretty incredible story. They’re playing a few other dates on this side of the pond, and please do yourself a favour and check them out if they stop in your town.

xo
joni

:::WHAT’S UP AT CKUT:::
We’ve got a whole ton of fresh new content up on the CKUT music dept blog. Check out our take on Next Music from Tokyo and peruse these reviews of local favouritesEmmett McCleary and Best Fern; or perhaps you’re in the mood for a more detailed read, like our ongoing series tracing the use of samples in modern hip hop. There’s a lot to explore, so turn on some background music and dig right in.

:::CHARTS:::
ckut top 30 – june 20, 2017

1. she-devils – s/t – secretly canadian CC *
2. best fern – covers ep – self-released CC *
3. sick boss – s/t – drip audio CC
4. joni void – selflessness – constellation CC *
5. arto lindsay – cuidado madame – northern spy Continue reading