Human Voicing, the fourth album from Montreal band The Luyas, showcases the band’s ability to play off of the tension between the moody and the playful, the experimental and the structured. The atmospheric opening song, “Dream Time,” is a perfect start for this album that seems to exist in an otherworldly dimension. The band’s use of keyboards and horns give the album a brooding feel, but this darkness is nicely offset by Jessie Stein’s vocals. Although Stein’s range is somewhat limited, her voice has an ethereal, sing-songy quality that provides the songs with a lighter, dream-like tone.
But while Stein’s vocals may lack variation, the instrumentation rarely does. Most of the music in this album was generated through improvisation, which keeps it feeling spontaneous – the listener never quite knows where the Luyas are going to go next. The drums, meanwhile, keep the songs from losing form. The off-the-cuff feel of the drums on songs like “Dream in Time” and “Never Before” keep the album moving, preventing it from being dragged down by more straightforward songs like “No Domination” and “Beating Bowser.” Human Voicing feels like experienced musicians cutting loose and having a jam session, but the Luyas’ ability to put this improvisational sound into the structure of rock songs allows them to make entertaining songs without compromising their desire to experiment.
Stein’s lyrics are enchanting, playful, and fractured, evoking freeform poems. The psychedelic imagery she paints makes the songs seem like they exist in some dream setting. However, underneath the psychedelia is a very real feeling of vulnerability. Many of the songs centre around the struggle of life as an artist. Stein sings about the fear of loss of artistic power (in “Beating Bowser” she wonders whether “our best work is still up ahead”) and about real concerns of how to support oneself as an artist (in “Self-Unemployed” she sings, “Trouble in the multiverse, when you don’t make money”). She sums up both of these concerns in “Fed to the Lions” by singing, “And all your dreams, your dream of flying, sucking my thumb, for food and shelter.” These lyrics show the tensions artists experience between creative pursuits and survival. This fear and emotional vulnerability give a focus to Human Voicing, grounding the psychedelic, dreamlike setting of the songs. In Human Voicing, The Luyas have created a multi-purpose album – perfect for dancing or contemplative listening, fun but never mindless.
– review by Ella Chatfield-Stiehler