Snuggled between a strip-club and a vegan café lies the intimate new venue Mademoiselle.
Tired and tipsy, I hop up the stairs and into the room.
Faint neon fixtures and stage light illuminate the space just enough for me push my way to the center of the crowd.
In front, the stage sprawls out surrounded by crimson fringe.
On stage, three musicians revel in the limelight.
Creeping into audibility, the hums of the synth usher the crowd to a calm.
Bergeron, crouched on the floor, leans into the mic.
A soft whisper passes through his lips.
Within moments, the indiscernible slivers of his voice transform into a blaring roar.
Suddenly, blasts of alto sax pierce through the thickening sound.
Mild patters of a drum intensify, attempting to tame the band’s mercurial beat.
Together, A.P. Bergeron (vocals), Dave Switchenko (saxophone), and Nick Schofield (drums) galvanize their spellbound crowd.
Mid-set, a girl in the front row, full pint in hand, professes her boozy love for the band.
“Dave, I love you!”
He shakes his scarlet curls out of their plastic grip.
A gratified smirk flashes across his face.
A group to my right begins chanting.
The crowd wants more.
For the duration of the set, the trio maintains total control over the crowd.
The audience is swept into a trance, engulfed by the song.
Saxsyndrum’s fusion of synth pop and electronic with funk undertones flooded to every corner of the room. The band’s absurdly wondrous energy spread throughout the venue and persisted even after the set came to a close. The crowd, unwillingly accepting the night’s end, lingered until the main lights came on. As I stepped back out into the chilly brink of Saturday night, the consensus appeared to be as such: if you realize a late night craving for a local strain of transcendental-electronica, then a night with Saxsyndrum will quench your thirst.
– Review by Soraya Mamiche Afara